· A Review of Jericho Parms’ Lost Wax. May 8, § 3 Comments. By e.v. de cleyre. In “To Capture the Castle,” an essay in her collection Lost Wax, Jericho Parms recounts an arduous climb to the summit of Croagh Patrick. The essay weaves its way upward, over the landscape of Ireland, tracing the outlines of other individuals on the pilgrimage, and winds its way through www.doorway.ruted Reading Time: 4 mins. Following the inspiration for this book’s title, the lost wax method for making cast sculpture, the essays in Parms’s delicately molded collection find their form and meaning through. · Lost Wax: Essays by Jericho Parms. University of Georgia Press, pages. $ Lost Wax is divided into four sections inspired by iconic Author: Julia Shipley.
Jericho Parms is the author of Lost Wax (University of Georgia Press). Her essays have appeared in Fourth Genre, The Normal School, Hotel Amerika, American Literary Review, Brevity and elsewhere. Her work has been nominated for the Pushcart Prize, noted in Best American Essays, and anthologized in Brief Encounters: A Collection of Contemporary Nonfiction, and. "Lost Wax by Jericho Parms is an ekphrastic and lyrical meditation on love, loss, language, family, and identity As much a travel memoir as a collection of essays, the book ultimately enacts an essayistic and valiant attempt at self-understanding. LOST WAX ESSAYS by Jericho Parms ‧ RELEASE DATE: Sept. 15, A debut author exhibits a mind brimming with ideas and fired by self-inquiry, drawn equally to the wondrous and tragic, with thoughts framed in sections named after the sculptures of Degas, Bernini, and Rodin.
For her collection Lost Wax, Jericho Parms borrows her title from a casting method used by sculptors. As such, these eighteen essays, centered on art and memory, offer an investigation into form and content and the language of innocence, experience, and loss. Four sections (each borrowing names from the sculptures of Degas, Bernini, and Rodin) frame a series of meditations that consider the boundaries of the discernible world and the extremes of the body and the self. Lost Wax. With her collection Lost Wax, Jericho Parms borrows her title from a casting method used by sculptors. As such, these eighteen essays, centered on art and memory, offer an investigation into form and content and the language of innocence, experience, and loss. Four sections (each borrowing names from the sculptures of Degas, Bernini, and Rodin) frame a series of meditations that consider the boundaries of the discernible world and the extremes of the body and the self. For her collection Lost Wax, Jericho Parms borrows her title from a casting method used by sculptors. As such, these eighteen essays, centered on art and memory, offer an investigation into form and content and the language of innocence, experience, and loss. Four sections (each borrowing names from the sculptures of Degas, Bernini, and Rodin) frame a series of meditations.
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